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Archive for the tag “self-publishing”

Don’t Knock, He’s Dead: An Unvarnished Look at the Unseemly Underbelly of Campaign Politics

The second book under the new publishing company Sirenian Publishing, a real-life, first-person account of a longshot, shorthanded political candidate for the Maryland State House who learns the lessons of the dog-eat-dog, incestuous, narcissistic world of campaign politics up close, is set for release August 1, 2016.

Don’t Knock, He’s Dead: A Longshot Candidate Gets Schooled in the Unseemly Underbelly of American Campaign Politics, takes an unvarnished look at what it’s like for an amateur, DSC00069under-funded candidate without the assemblage of a political machine to try to break into the byzantine world of state-level politics, where cozy relationships, cronyism, influence, backroom deals, power plays and horse-trading rule the day.

Don’t Knock, He’s Dead peels back the curtain to find political practices of questionable ethical standards to be routinely performed to strengthen and enrich those who are entrenched insiders and well-versed in political gamesmanship:

  • A candidate who is a member of a powerful “team slate” drops out on the deadline date to withdraw, only to be replaced two days later on the candidate filing deadline by her husband.
  • An entrenched state senator with a massive “war chest” uses his largesse to distribute a quarter-million dollars to more than 40 other candidates and political slates over a four-year election cycle to strengthen allegiances.
  • A wife who is a high-earning lobbyist represents several of the same industries – and in some cases, the same organizations – that make large political contributions to her husband, the powerful chairman of a state Senate budget committee.
  • A longtime state delegate with leadership positions on several House health care committees receives 60 percent of her campaign contributions in a year from health care and health insurance interests.
  • A state senator who lost a bid for Congress resigned his Senate seat more than a year early to become an uber-lobbyist, spreading his remaining campaign account into more than 80 contributions to more than 60 different political candidates and slates to solidify his future business relationships on his way out.

The race the longshot candidate entered became a rollicking free-for-all populated by 10 Democratic participants, including two “carpetbaggers,” ranging from a plastic surgeon to a disbarred attorney to a legendary state senator’s daughter to the sitting governor’s former speechwriter to an 80-year-old cantankerous former judge, a contest labeled by one observer as a “three-ring circus.”

And as in any political contest, things got contentious and nasty, resulting in criminal charges against one candidate for smearing another amid a long-simmering feud, and a malicious mailing campaign in which one candidate accused two others of being stooges for a union.

What you will find in Don’t Knock, He’s Dead, if you’ve ever had the aspiration to run for a high-stakes public office, or even wondered what a political candidate must endure, is what it’s like to spend every weekend and many weeknights until dusk knocking on doors of strangers; to be ignored by political organizations supposedly responsible for fairly evaluating candidates to make endorsements; to feel poor and unsuccessful among more financially-connected candidates; and to be targeted for barbs by highly opinionated, unfiltered bloggers.

If you’ve ever considered subjecting yourself to scrutiny and the whims of uncensored public opinion; debated whether it would be worth the time and effort to run for public office; stepped to the precipice of throwing a hat in the ring and then backed off with either regret or relief; or still have a dream to make a difference in people’s lives by entering politics—you know, someday, when everything is perfectly aligned and your finances are in supreme order, and your employer gives you essential flexibility and full backing, and your family has attained impeccable stability, and the moon eclipses the sun, cicadas emerge after 17 years underground and the Chicago Cubs win the World Series and the time is right to run, somedayDon’t Knock, He’s Dead is an account of what it’s like in the trenches of an election as an entourage-less, DIY, working-stiff candidate.

Sirenian Publishing also is the publisher of Three Yards and a Plate of Mullet, a fictional story of a rookie sportswriter in a football-mad Florida backwater covering an intense season of high school football and battling head-to-head with the ruthless, win-at-all-costs coach from the town’s ruling family. Three Yards and a Plate of Mullet is available on Amazon: http://amzn.to/1cYG5vP

12 Things I Learned from Writing and Self-Publishing My First Novel

12 simple lessons I learned, and am still learning, through writing my first novel, Three Yards and a Plate of Mullet. The story follows an overmatched, rookie sportswriter in Florida covering a season of high school football in a football-mad, semi-backwater town who runs up against a powerful coach from a dynastic family who just may have orchestrated a bribe to get the best athletes redistricted to his school.

  1. If you have difficulty adopting long-term views or goals, try to adapt or don’t bother starting.
  2. There is such a thing as “powering through” with willpower when it comes to writing; it’s just a different type of pain.
  3. Taking public transportation to work is a good way to get a lot of writing done.
  4. You don’t have to plan out your whole plot and every detail – but having a basic idea of a story sequence helps speed the process.
  5. One of the hardest things about fiction-writing was remembering details about plot, characters and scenes that were written one or two years prior, to ensure story lines and plot connections were logical and to avoid sloppy errors.
  6. The Chicago Manual of Style is more a hindrance than a help in many instances.
  7. It’s a good idea to have Beta readers for pre-publication feedback. I didn’t, but will find them next time.
  8. Writing a self-published novel as a first-time, unknown author is an extremely difficult way to make money, so you better have a passion for the act and the process.
  9. I didn’t realize the importance of having or building a “platform” to market and sell a novel, but now that I’ve self-published, it appears essential for success.
  10. I’m glad I self-published despite much popular wisdom that says only traditionally published novels optioned by an agent bestow credibility on the novel and author. Publishing house acquisition is a long road to hoe, and immediate gratification rather than posthumous glory was my desire.
  11. I signed up with the first self-publisher I researched, and would recommend CreateSpace to others based on my experience.
  12. There are many people in the U.S. Very few care that you wrote a book. It’s your job to find a few more who will care…then a few more, and a few more.  ThreeYardsCover

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